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Tomkins Calvin. The Bride And The Bachelors. Five Masters of the Avant-Garde. Duchamp, Tinguely, Cage, Rauschenberg,Cunningham. New York: Viking Compass Edition and The Macmillan Company Of Canada Limited, 1970.
Bonito Oliva, Achille. The International Trans-avantgarde/ La transavanguardia internazionale. Milano: Giancarlo Politi Editore, 1982.
Mcluhan, Marshall; Parker, Harley. Through The Vanishing Point, space in poetry and painting. World Perspectives. New York: Harper & Row, Publishers, 1968.
Kozloff, Max. Renderings: Critical essays on a century of modern art. New York: Simón and Schuster, 1968.
Johnson , UNA E. Ambroise Vollard éditeur. Prints Books Bronzes. Nueva York: Museo de arte moderno de Nueva York, 1977.
Bartlett H. Hayes Jr. The Naked Truth and Personal Vision. Massachusetts: Addison Gallery Of American Art, 1955.
Rand, Harry. Arshile Gorky: The Implications of Symbols. Berkeley; Los Angeles; Oxford: University Of California Press, 1991.
Messer, Thomas M.; Capa, Cornell; Cornell University; The Solomon R. Guggenheim Museum. The Emergent Decade. Latin American Painters and Painting in the 1960's. Cornell University Latin American Year 1965-1966; The Solomon R. Guggenheim Museum, 1966. Número de tarjeta de la Librería del Congreso: 66-15382
COP 20.000
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